I swore that I’d give myself only one hour for this little painting. Honestly, I did.
But after about three brush strokes into this piece I knew that the kind of detailed work I love to do wasn’t going to be possible. I tried to tackle too much information in a short period of time and a small space.
The best thing to do in that situation is to work on just the large masses, so I concentrated on the dark and light patterns to strengthen the composition. And I tried to limit my time on it, in order to make big decisions rapidly.
It’s been a long time since I drew value studies of drapery. As you well know, drawing is the foundation of painting. I see a month of drawing in my future.