Landscape Study of Nevada desert
© Margaret Sloan 2012
Watercolor on paper
If I’ve been absent from music parties, family functions, and the blogoshpere, it’s only because I’ve been preparing for a show. My first solo show! (You can read about it on Facebook here, although I’ll be posting more about it as the time draws near. Oh yes, you can bet I will.).
I’ve been painting my brushes ragged to complete a couple more paintings, but as usual, it’s a slow process, with many studies, and lots of time spent staring and pondering. I’ve said this before, and I’ll say it again, painting (for me) is not a relaxing weekend hobby. It’s Work.
Okay, I admit, it’s work that I like to do, but that doesn’t mitigate the struggle of forcing my interior thoughts onto smooth white paper. It’s focused work, which means I have to take a break every couple hours and do something that’s not work, like cleaning the bathtub or doing the laundry. And yet, while I’m scrubbing, I’m still thinking about the painting, still considering colors, shapes, and brush strokes. While folding socks, I ruminate, talk to myself, and plan my next few passages.
The picture above is the landscape I’m putting into one of the paintings. Below, you’ll see a study for the man in the portrait. In my mind, he’s inseparable from the landscape where we met. When he’s finished I’ll tell you that story.
Wonderful, Maggie—-and congratulations!
Thanks Chris. I know it’s too far for you to attend, but I wish you could.
One never knows! I will have just returned from a 10-day silent retreat on the 9th down in Kelseyville, though, so it may not be good timing for me, but I’m not totally nixing the possibility, Maggie. . . I’ve let Jon know that it’s possible we will show up in Berkeley on the 13th. . .
Tell him it’s Klezmer! It won’t be silent…