Winter storm and crying in the snow

Bench in snow
Snow ghosts looking over the valley filled with white

1:50 am Saturday morning

The storm woke me.

Well, really, anxiety woke me. My nerves shrieked like a bad actor chewing the scenery while an orchestra of winds howled around the house. With it’s ever-present sub-text of grief, my brain wouldn’t stop the reel-to-reel predictions of doom, of tall trees crashing through the roof, of branches flying through windows, of chaos and destruction.

I always worry about heavy wind in the Sierra. Trees surround our house. Big trees. Trees weakened by drought, anchored into the earth with withered roots. And the earth, sodden by days of rain and ten inches of melting snow, tends to give way easily; picture trying to stand a spoon in a bowl of pudding.

This is the second series of storms that started Friday evening, when the first storm dumped snow on us and wrapped the world in white in less than an hour. I barely made it to the gate of the development where I live; once through, my car—a flat-lander car sans chains or 4-wheel drive—wouldn’t climb the hill. Instead, I parked the car and walked the last mile to my house, through fat wet flakes that obliterated every step in minutes.

For whole minutes at a time, while I slithered up the slushy highway, while I slid the car to the side of the road, while I broke snow through the front yards of neighbors, while I marveled at the darkly luminous night, I didn’t think about my mom. Small mercies.

Cedars in snow
Cedars weighted with snow. I mourn while the trees expect to shed the heaviness when the weather warms.

Voices in the snow

Next morning, when the light rose slowly, a heavy fog curtained trees that were lumpy with snow, and more snow—flakes now like soft cotton squares—drifted down.

All day Saturday, between bouts shoveling and extricating my car from the side of the road*, I walked miles through the snow, enjoying the crunch under my feet, the freshness of the air, and the smell of snow that is a non-smell, a fresh scent, blue and sharp and nothingness. I thought perhaps I could exhaust myself so that I would sleep through the night.

Wet black oak branches curled and scribbled against the white landscape, scrawling hieroglyphics that I tried to read. A grove of horse chestnuts looked like they were dancing a slow circle-dance. Cedars drooped under the weight of the snow, and ponderosas stood like snowy sentinels. It was like a National Geographic photo. Reflexively I thought, I’ll call mom, or send her some pictures of this. She loves to watch the weather so. I though of her at home, sitting on the couch reading the charts and diagrams in the newspaper every day, imagining the atmospheric conditions that affect her kids and grandkids in their far-flung homes.

And just as reflexively I thought, I can’t call her. She’s not there. The phone would ring and the answering machine would pick-up, or my father. And he will no longer say, “Let me get your mom. She’s right here.” Although my dad and I talk twice a day now, holding each other up as we wade through our grief, the absence of those words, “you wanna talk to your mom?”  makes me ache.

I began to cry as I walked down the deserted street. I called out, “Hello mom,” and the memory of her voice reverberated.

“Hey, sugar,” I imagined her saying.

“Momma, where are you?” I said out loud, and her voice in my head said, “I’m here.”

“I can’t find you,” I said. “Come home. Come back. I miss you.”

And I remembered that she can’t come back. Her body is ash now; it fills a box hidden in the closet in one of the bedrooms; we can’t stand to look at it. Her voice in my head faded, drowned perhaps by my sobs, ugly in the snowy stillness. I cried noisily until I passed a man in a blue track suit shoveling snow at the bottom of his driveway. He looked at me, leaning on his shovel and scowling with discomfort.  I choked back my tears; it’s a small community and perhaps I will soon get a reputation as a crazy lady.

Chestnut trees
Horse chestnuts circle dance on a hill.

Dramatic break? Not so much.

By midnight on Saturday, strong winds blew in, and the keening as they knifed by the house woke me. In a bad fantasy movie this would be the dramatic break: overwhelmed by grief, I run out into the storm, nightgown plastered fetchingly to my body as I wander aimlessly but with great emotion through the lashing winds. Trees rock and roll, then crash down, barely missing me, and I sob in the mounds of greenery until a strange old woman finds me, leads me to her little house and feeds me hot drinks so bitter they sting my tongue but bring sleep until morning sun breaks through mullioned windows. There’s a denouement. I’m still sad, but healed, and able to walk through honey gold sunshine into a brand new life.

Feh. My life is boring. There aren’t any mysterious, magical old women living in cottages near by; just retirees and working moms. I’m too much of a wimp and too old to be an ingenue scampering helter-skelter into a storm. Instead, I took an anti-anxiety pill and sat in the little room we call the library, writing this post until the medication smoothed the jagged edges of my nerves and grief. They are small white lozenges the doctor prescribed when I told her that I suffered severe panic attacks after my mother died; I don’t like taking them, but the doctor explained they are medicine, so I take as directed when the anxiety shouts too loud. Outside the storm still rages, but an hour after taking a pill I don’t care as much. My nerves have settled down, writing helps quiet my mind, and eventually, around 4 a.m., I’m able to sleep, despite the winds rocking the cedars and pines and shrieking around the house.

*I want to give a big shout out to my neighbors, G. and his son, K., who helped me shovel snow and free my car. You know who you are! Your kindness touched me deeply. Small gifts like that are amazingly helpful to soften grief. Thank you.

Save

Save

Learn how to paint watercolor portraits

Portrait of Lee
Portrait of Lee

Watercolor Portrait Class

November 4 & 18, 2016, 1pm to 4 pm

I will be teaching a watercolor portrait class at Town Hall Arts/Gallery Copper in Copperopolis, California. These classes are small, with no more than 6 or 7 students, so I can give personal attention to everyone, no matter what their level experience.

Since the holidays are coming up, we’ll be talking about the best way to take portraits at family gatherings, as well as drawing and painting.

Watercolor is the perfect medium for painting translucent, lifelike portraits of faces. Learn how to choose a photo, draw your image, and paint a face in watercolor.

I have been painting in watercolor for 15 years, and am excited to help you learn to use the sometimes difficult medium of watercolor.

Using demonstrations, practice exercises, and  fearless paint slinging, I will teach you to trust in your paint, brushes, water. And most importantly, I will help you trust your own intuitions as you memorialize your favorite photos, and make personal remembrances of photos of your loved ones.

To register, call 209/785-2050 or email Larry {at} TownHallArts {dot} com
To find out more about Town Hall Arts/Gallery Copper, visit their website: http://www.townhallarts.com

I also teach private classes at my home studio. For more information, email me at Mockingbirdatmidnight {at} gmail {dot} com.

New paintings available at Calaveras County Artist Studio Tours

Portrait of girl
The moment the mask dropped
Watercolor on Aquabord
© 2016 Margaret Sloan

Tomorrow is the big day! First day of Open Studios. I’ll have some new work there, including this watercolor, which I just finished.

 

Saturday and Sunday, September 24 &25

10:00 a.m. to 5:00 p.m.

6814 Michel Road

Mountain Ranch, California

209/754-5650

Girl with garland
Maiden
Watercolor on Arches #140 hot press

Watercolor Portrait Class

September 16 & October 21, 1pm to 4 pm

I will be teaching a watercolor portrait class at Town Hall Arts/Gallery Copper in Copperopolis, California. These classes are small, with no more than 6 or 7 students, so I can give personal attention to everyone, no matter what their level experience.

Watercolor is the perfect medium for painting translucent, lifelike portraits of faces. Learn how to choose a photo, draw your image, and paint a face in watercolor.

I have been painting in watercolor for 15 years, and am excited to help you learn to use the sometimes difficult medium of watercolor.

Using demonstrations, practice exercises, and  fearless paint slinging, I will teach you to trust in your paint, brushes, water. And most importantly, I will help you trust your own intuitions as you memorialize your favorite photos, and make personal remembrances of photos of your loved ones.

To register, call 209/785-2050 or email Larry {at} TownHallArts {dot} com
To find out more about Town Hall Arts/Gallery Copper, visit their website: http://www.townhallarts.com

I also teach private classes at my home studio. For more information, email me at Mockingbirdatmidnight {at} gmail {dot} com.

Celebrate your sister on National Sisters Day

Sisters
Sisters
Watercolor on 6″ x 6″ Aquabord
$150

 

These two sisters are for sale. It’s a small painting on Aquabord, 6″ x 6″, and is unframed. It’s been sprayed with a UV-protective varnish, so you don’t have to put it under glass (although it will need to stay out of sun and bright light so that the colors don’t fade). It’s on a hard board, so you can lean it up on a picture ledge, or frame it.

Email me at mockingbirdatmidnight at gmail to purchase.

Slaying boredom by painting dreams at 35,000 feet

Sketching while flying
This is my watercolor kit for traveling. It’s small, fits in my laptop case, and I can paint almost anywhere with it. Clockwise from top left: Sakura Sumo Grip mechanical pencil;  Aquash Watercolor brush; Windsor Newton travel paint box; Handbook Artist Journal (5.5″ x 5.5″).

I admit, we are stay-at-home types. I didn’t use to be, but after we bought the Tree House, it seems like I never want to leave. As a result, we don’t travel much. But this summer seems to be our summer of criss-crossing the country.

First there was a girls-gone-wild week in Eastern Nevada with my traveling red-headed friend. She’s been spending the first few years of her retirement seeing the West from her Toyota Tacoma.  Oh my, but that was fun. We were really out of control. I mean, we had TWO bags of cheesy poofs! We stayed up until 10! We talked to strangers!

Then there were two weeks on the east coast with the fiddler, wrapped in humidity that boggled my mind. (I’m from the arid West, where, if the thermometer drops much below 90 degrees Fahrenheit, I wear a wrap to ward off the cold. In Connecticut at 86 degrees,  I sincerely considered just how naked I could get before I would upstage the bride.)

Being on the road; or in the air; or at a wedding; or touring New England means there was little time to drag out the sketchbook and draw, or unpack the plein air supplies and paint.

The best time to paint turned out to be on the airplane. Boredom and enforced stillness turns on my creative tap. I need to spend more time being bored.

girl typing
I took it upon myself to be the dream giver, but one of the other passengers was my proxy model.

 

Dream surroung
Detail of couple sleeping and the dreams I gave them.

Join me for World Watercolor Month

RedHairedGirlcropped

Somehow July has become World Watercolor Month. Charlie O’Shields from Doodlewash was the mover and shaker that started this observation. You can also learn more about it from www.nationaldaycalendar.com.

That’s just dandy. I love watercolor; until recently, I worked in watercolor almost exclusively. It’s a medium that’s still challenging me, even after 30 years of working with it.

I’ll be observing World Watercolor Month too, sometimes with old paintings, but more often with new. I’ll be offering some quick tutorials, and I’m planning some in-depth online courses soon. I’ll be talking about my journey through water, pigment, and paint; I hope it will be helpful to your watercolor month. If there’s something you’d like to learn about watercolors, ask me in the comments.

Jan10_Antler_Cropped
Antler (cropped) Watercolor on Arches #300 hot press

 

Playing music in the pines at Kowana Valley Folk School & Lodge

Banjo Player
Moon in June at Kowana Valley Ranch

Last weekend I wrote this blog post from a tent in the Sierra Nevada while I listened to two flutes playing outside the door. They swung through an old Irish jig called “Out on the Ocean.” From a camp to my right, a mandolin tinkled and plunked through a completely different tune: a hornpipe called Little Stack of Barley. In the distance, a beautiful cacophony of fiddles, whistles, and banjos careered from reel to reel. Pigeon on a Gate into Swinging on a Gate into Cooley’s.

I live in a rare and strange world where people play music together. It’s old music that’s been with the human culture for a very long time, mostly Irish, but some American Old Time, some French Canadian, some English Country tunes. We play for no other reason except to make each other happy. No money changes hands; we play freely.

We play as conversation, not performance. We communicate through notes spooling out from our instruments, conversing with three-four waltzes, two-four polkas, six-eight jigs, and of course, the four-four stampeding eighth notes of reels.

Musicians
Late night session

People who play this kind of music seek each other out because we are few. We form community where we find it. The community I’m part of is lucky; we found a home for our summer camp at Kowana Valley Ranch, an exquisite piece of property in a long valley just below Yosemite. Every year a bunch of us convene for a weekend of camping, swimming, dancing, eating, and playing a torrent of music from dawn to dawn.

The hosts, Lynn and Richard Ferry, welcome us with flute, banjo, harmonica, and guitar. They play too, when they are not managing their land or their guest lodge. They are the two thumping hearts of this celebration, keeping it alive and giving it the deep soul that makes it the favored event of the year.

I can’t invite you to our music party (it’s private), but I can tell you about the Ferry’s lodge, where you should plan to spend some vacation time.

The lodge is set at the head of a long valley, where little Bull Creek runs fitfully (sometimes it’s partly dry during summer) through willows and pines. To get there, you drive into the middle of nowhere, take a right, and wind down 5 miles of dusty, unpaved road. Once there, you’re off grid. Your devices have no place to connect, and become the door stops you wish they were. You will have to get your kicks from the flashing of birds, the sparkle of dragonflies, and the moon as it rises over the mountains. You can hike in deep forests or lounge beside a cold mountain swimming hole. Glorious nothingness can fill your days.

You can rent out rooms, bunks, or the whole shebang for large parties and getaways. If you play trad music, they might just break out their instruments and share some tunes with you.

Here’s the link to their ranch: www.kowanavalley.com. Tell them hi from Maggie. And if you don’t know what trad music is, ask them to share a couple cds with you while you are there.

Perhaps you’ll be inspired to take up an instrument and learn to play (they have music workshops at the lodge). More people should play this old music, making all the hills and valleys across the land ring with people’s music. Not only the Irish, but Old Time, Cape Breton, Cajun; people’s music, stuff that’s not been predigested by a computer and corporate for our consumption, but real tunes that have traveled miles through space and time and arrive in our ears as raw as the day the earth was new.