We kicked off the Christmas season with the Great Dickens Christmas Fair Sunday. It was delightful and entertaining as usual. Dickens and the Victorians practically invented my idea of Christmas, and I love the play-acting.
This year I went prepared to sketch with a Tombow dual brush pen, a Niji waterbrush, and several Staedtler pigment liners. I used the same 7″ x 7″ hard-bound Daler Rowney I used last year for my first foray into public sketching. I have to admit I still haven’t finished that journal, and besides, I thought it a proper and fitting way to round out the year.
I decided that I’d do at least 10 pages of sketching. I counted journal pages, and put a big number 10 on the tenth page so I’d know I’d reached my quota of sketching for the day.
And I did it. Some of my pages aren’t anything I’d want to show anyone, but oddly, the least successful as sketches have the most possibilities for future projects. I’ll blog about the completed projects later.
Sketches I will show you
Fezziwig’s Dance Party was as fun as always. In fact, it was more fun this year because the players asked us to dance, and then they taught us to waltz.
Waltzing with someone who knows how to do it is an experience verging on the sublime, and I recommend you run right out and find someone to teach you. In fact, any of the old-style dances are barrels of fun, and I think everyone should try them. Fortunately, the Bay Area has a lot going on. Try the Period Events & Entertainments Re-Creation Society (Peers) website. They sponsor scads of events, and their links page gives even more info on other local and national period reinactments and events.
The Siamsa le Cheile dancers put on a terrific exhibition of traditional and modern-style Irish, Scottish, and Cape Breton dancing. After all these years of being involved in the music and dance, this stuff still makes my heart stand up like a 4-year old kid and whirl around till it’s dizzy.
The Dark Garden window displays seem like a perfect spot to draw, since the models hold their creative and cute poses very well, and let’s face it, just about everybody looks better in a corset. Unfortunately, the windows are also a perfect photo-op, so there’s a lot of jockeying for position with photographers. Also, people do love to look over your shoulder and comment on your drawing. Maybe some year, when I’m more confident sketching in public, I’ll get a hoop skirt, set up my easel, and become a part of the show.