Near my house the pond had gone perilously dry until our recent rains. But El Niño has come to the rescue and filled it to overflowing. Last night on my walk, I noticed water rushing through the overflow ditch and into a spillway. It was a sweet scene in the afternoon light, with tree frogs singing, and the rays of sun streaking the water beyond. I whipped out my sketchbook to capture the mood with a pencil drawing.
Yes, I always carry a sketchbook and pencil, even on my walks. Doesn’t everyone?
My goal for this exercise was to draw enough information so that I could make a painting from it in my studio (where it’s warm and I have hot drinks and a restroom).
What information did I try to capture?
- A rough idea of composition I’ve been working on improving my compositions. In this sketch I was trying to see big shapes rather than worry about detail.
- Areas of interest I liked the water line as it went from the organic shape of the ditch to the man-made hard lines of the cement weir. Then there’s that little corner in the left hand side where the water starts that I also found interesting.
- Relative values of the whole scene There was a simple, stark contrast between water and land, but on the cement weir the values grew trickier. I was also trying to think about how the light and dark values could lead the eye and create the illusion of water.
Although this was a quick sketch, it wasn’t quick enough. Suddenly it got very dark, and I realized that the sun had sunk behind the ridge. I was still a couple miles from home, night was falling, and mountain lions were about!
Clearly I made it home (and I wrestled, not with mountain lions, but with my lazy self as I climbed the hill towards home) and this morning I painted the study at the top of this post, using information I gleaned from my pencil sketch.
For me, art is all about learning to see. It’s good practice to make these little black and white studies and try to paint them later. It sharpens observation skills, and hones the memory.
Plus, there’s a nice cuppa with milk and honey back at the studio.
2 thoughts on “30-in-30: How to sketch it now and paint it later”
Like the painting, LOVE the sketch. Maybe I’m just a graphite girl lately. Not sure. Always enjoy your posts Maggie.
Thanks Laura. I’ve been enjoying sharing your journey as well.
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