I was fortunate to be selected, along with 54 other (excellent) artists and writers, to create a painting for a show called “AnimalScapes of the Sierra Nevada Foothills.” This show was a huge undertaking for the arts councils of our tri-county area, and it was with the generosity of many donors that it happened at all. As one of the artists, I’m very grateful.
Tomorrow (Saturday, January 16) is the first opening for the art show at Ironstone Winery in Murphys, California. The paintings, sculptures, and writings will be at Ironstone until February 15, then will move to Hotel Sutter in Sutter Creek (Feb. 17 – March 13), then will move once again to Black Oak Casino Hotel in Sonora (March 15 – April 3). If you are near, I hope you’ll attend, drink some wine and view (and maybe buy) some art. I think it will be worth it.
A couple of the organizers voiced their hopes that this large group show might help our area heal in some small way from last summer’s nightmare Butte Fire. I hope that it might, if art can help in that way.
Here’s the official press release: ““AnimalScapes of the Sierra Nevada Foothills” is a Tri-County Project of the Calaveras County Arts Council (CCAC), Tuolumne County Arts Alliance (TCAA), Amador County Arts Council (ACAC) and its 2 other major partners: Performing Animal Welfare Society (PAWS) www.pawsweb.org and the California Dept. of Fish & Wildlife. This project is partially funded by the California Arts Council (CAC) through a “Creative California Communities Grant” and the National Endowment for the Arts. The $23,200 CAC Grant is a “matching grant” dollar for dollar. There are also opportunities once more than half of the match has been made for in-kind donations.”
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Thika on the hill at PAWS Watercolor and gouache on Arches #300 hot press
I was recently selected to be an exhibiting artist in the project AnimalScapes of the Sierra Nevada Foothills. This show, a tri-county project of the Calaveras County Arts Council, Tuolumne County Arts Alliance and the Amador County Arts Council, will include over 50 artists and makers. We artists will be creating pieces—paintings, pottery, photos, sculptures, even poetry—that depict animals in the Sierra Foothills, and our works will travel around the three counties in an exhibition to be displayed in 2016.
Thika the elephant stood on the hill looking down at us. PAWS president Ed Stewart said, “if I called her, she’d probably come down. But it’s such a beautiful scene, let’s leave her there.” Indeed. Thika was posing like a movie star between two old oak trees, and the cameras of the AnimalScapes artists clicked and whirred. I took lots of photos, and I sketched fiercely.
PAWS, the Performing Animal Welfare Society, is home to 8 elephants. The property in Calaveras County, fittingly called Ark 2000, has enough land that the huge animals can roam on mountainsides, splash in pools, and live out their lives as close to wildness as they could possibly come in the Central Sierra Foothills.
Elephant sketches
I have to admit that I’ve always had a thing for elephants, ever since watching the documentary The African Elephant when I was a kid. It seems to me that they are as conscious as we pretend to be; their complicated familial relationships, their obvious understanding of death and life, and their clear but ponderous intelligence makes me believe they are a sentient species. And we are destroying them.
Some of the elephants at PAWS had been mistreated in their former working lives, or were stolen from their mothers as little babies. Some witnessed elephants killing elephants; possibly some witnessed humans killing their mothers. It’s a wonder that the animals at PAWS have been able to overcome their past traumas to form attachments with the humans that care for them. There are a trio of Africans who throw stones at cars, but other elephants we met were just as curious about us as we were about them.
Nicholas Watercolor in Stilman & Birn Zeta Series Sketchbook
We got to meet Nicholas personally. He rumbled low as his keeper showed us how they had convinced Nicholas to open his mouth for dental inspection, or show them the bottom of his ottoman-sized feet. I don’t like to use the word trained. Really what they’ve done is learned how to communicate with the animals, and they’ve done it in a way that doesn’t involve pain or punishment. If these animals consent to a dental examination, or present their ottoman-sized feet for a checkup, it’s because they want to. Not because someone is stabbing them with a bullhook.
I couldn’t stop sketching. I could have drawn Nicholas all day long as he snuffled through a pile of bran meal on the floor and purred his elephant growl.
Drawing portraits in person always brings me closer to my subject, and drawing Nicholas was no different. I could feel an intelligence there, a being that knew who he was and who accepted that a small female animal was observing him while he observed her.
Animals at PAWS Watercolor in Stilman & Birn Zeta Series
I was recently selected to be an exhibiting artist in the project AnimalScapes of the Sierra Nevada Foothills. This show, a tri-county project of the Calaveras County Arts Council, Tuolumne County Arts Alliance and the Amador County Arts Council, will include over 50 artists and makers. We artists will be creating pieces—paintings, pottery, photos, sculptures, even poetry—that depict animals in the Sierra Foothills, and our works will travel around the three counties in an exhibition to be displayed in 2016.
A part of AnimalScapes, we chosen artists were gifted with a trip to PAWS, an organization whose mission is “….the protection of performing animals, to providing sanctuary to abused, abandoned and retired captive wildlife, to enforcing the best standards of care for all captive wildlife, to the preservation of wild species and their habitat and to promoting public education about captive wildlife issues.”
Touring the PAWS sanctuary in Calaveras County is a coveted trip. They don’t open to the public often, and when they do, it’s usually for expensive fundraisers that many artists could never afford. I was indeed lucky.
Bear sketches at PAWS Watercolor in Stilman & Birn Zeta Series Sketchbook
There’s a reason the sanctuary is off-limits to most people. The president of the organization, Ed Stewart, showed us around the sanctuary, and introduced us to many of the animals, and told us the stories of their lives before they were rescued. “Most of these animals have been places where they can’t get away from people,” Stewart said. Frankly, these animals have suffered so much at the hands of humans that they should never have to see us again.
President of PAWS, Ed Stewart
Stewart told stories that make your blood run cold: a bear cub sold at a flea market as a birthday gift for a 4-year-old, then chained, starving, in the back yard for years. Grizzlies and black bears bred to create hybrids, then kept in small cages at roadside attractions. On and on and on. And not in some crazy ignorant poverty-stricken country either; but right here in the United States. I don’t understand. Why on earth do people do things like this?
Tigers and elephants at PAWS Watercolor in Stilman & Birn Zeta Series
But as horribly as these animals have been treated by humans, they appear to have learned to accept the folks at PAWS, or at least have unlearned some of their fear and hatred. When we crept up to the bear enclosures, the bears, expecting food, came down to see what was up. We were admonished to be very quiet; no worries there. I was so stunned and in awe of being so near a bear that I could hardly talk at all.
There were two tigers that we could see in an enclosure (The sanctuary rescued 39 big cats in 2003. Meet them here.) One slept with its back to us the whole time we were there. Another padded out, looked at us in what seemed to be disgust, and disappeared from view. Stewart said that this was much better than when the tigers first came to the sanctuary. Rescued from an abusive tiger breeder, they hated humans when they first arrived. The two tigers we saw didn’t seem to be happy about us gawping at them, but at least they weren’t scaling the fence to get at us.
I know that the sanctuary isn’t the same as a jungle or veld or forest where animals can roam at will. But there are fewer and fewer of those places left on our small planet as the human population grows exponentially. And the Sanctuary is a place where at least a small number of being hurt by humans can live out their lives in peace and safety.
Next: Elephants at PAWS
Here’s a vid of the tigers at PAWS
The link below is live. Click on it to go to the PAWS website.
Spread from AnimalScapes sketchbook at California Big Trees State Park Stilman& Birn Zeta Series Sketchbook
Hoo! I made the grade and was selected to be an exhibiting artist in the project AnimalScapes of the Sierra Nevada Foothills. This show, a tri-county project of the Calaveras County Arts Council, Tuolumne County Arts Alliance, and the Amador County Arts Council, will include over 50 artists and makers. We artists will be creating pieces—paintings, pottery, photos, sculptures, even poetry—that depict animals in the Sierra Foothills, and our works will travel around the three counties in an exhibition to be displayed in 2016.
There are many good things about this show. It will raise awareness of the animals that live in the Sierra Nevada Foothills, and publicize animal welfare organizations working in the Foothill communities. I hope that it will increase the human will to protect and care for the other species that live in the area.
But one of the best things about being a part of this show? There were two field trips. I love a field trip. (Yeah, selfish. I know.)
For our first foray we piled into a big yellow school bus and spent a long day rambling around Calaveras and Alpine Counties. It was great to leave the isolation of the studio and meet other local artists (my people!).
First stop was the New Melones Lake Visitor Center & Museum, where rangers led us on a short hike and we spotted an osprey roosting in a tree. The ranger said it was probably a fledgling from last summer’s clutch of chicks raised in the osprey nest built near the center.
Stuffed coyote in pouncing pose at New Melones Lake Visitor Center & Museum Stilman& Birn Zeta Series Sketchbook
At Calaveras Big Trees State Park we had a short tour of the redwoods, led by volunteer docent Dexter. Dexter gave a good tour, and even better, had a great face for sketching. (That’s the illustration at the top of this post.)
This trip was like sketching heaven for me, and my pencil was busy the entire time. I tried to catch as much visual information as I could. Since the theme of this show is animals, I spent time drawing the taxidermy specimens in the visitor centers. Sketching stuffed animals isn’t as fun as drawing live beasts, but on the bright side, I could really concentrate on understanding perspective, proportions and forms.
I’m slowly adding color to the sketches, as there was no time for dragging out watercolors during either tour. It’s been a great way to experiment with the paint, as I’ve scanned the original pencil sketches to preserve them. With the sketches safely stored on my computer, I feel like I can take some chances with the paint.