Listening to the sounds of the night

Fox
Grey fox study from a photo by Orphie Barella on Paint my Photo
Watercolor on paper
Margaret Sloan

Last Thursday night, I skipped my normally early bedtime. I was hopped up from watching a movie and stayed up late scrolling the internet for reviews and opinions. Because it wasn’t enough that I watched the damn movie, right?

Honeys, when you get older, don’t mess with your schedule, especially if you already suffer from insomnia. It doesn’t pay. At 12:30 am, I was still staggering around the house, trying not to waken the fiddler while I did half-hearted yoga poses that had been advertised as a natural sleep aid. I was starting to feel drowsy when the barking started.

It got my attention. We live in a neighborhood with rather strict rules about barking dogs. You might hear them bark for their dinner; or to greet their people; or at other dogs during their evening constitutional. There’s one lonely hound who howls in grief if his people leave him home alone for the evenings.

We almost never hear barking dogs after midnight.

But something barked. It was an odd bark, different from the single punctuation of a pet’s ruff-ruff-ruff. These barks came in two parts, split like a semicolon, the first bark short, the second longer. I was pretty sure it wasn’t a dog.

But what was it? I’ve heard coyotes. I know their yipping and yowling, the jostling of voices during the coyote gospel of call and response. This barking was not it.

After a few minutes, another animal answered, this bark coming from the northeast. For around 15 minutes a series of two-note barks traveled back and forth across the valley.

Then suddenly there was barking all around, as if a chorus line of animals were running through the dark. The sound echoed and chuffed; amplified, it filled the spaces between the houses with reverberations as dusty and crisp as old lace.

I live in one of those wildland-urban interfaces that suburbanites prefer when they move to the country. It’s just a regular housing development, with rows of houses along a wide, gently winding road, but trees—oak, pine, cedar—punctuate each lot. We’re surrounded by woods. To the south, a valley grows helter-skelter wild. National forest spreads north, south, east.

We live among wild animals, but they stay hidden. Oh sure, we see and hear the smaller ones, creatures that don’t mind humans for neighbors: scrub jays, acorn woodpeckers, squirrels, quail, jack rabbits. I know deer frequent our gardens and byways, and occasionally someone sees a mountain lion or bear slinking about in the trees. But to my disappointment, this neighborhood hasn’t been the Mutual of Omaha’s Wild Kingdom I thought it was going to be when we escaped from the ‘burbs.

Still, mountain lion sightings and critters chorusing in the wee hours are not trivial. A few minutes after the barking ended, in the distance to the east, something started repeatedly yipping, high-pitched and resonant. At intervals a call would ring out, a chord of overtones that rose and fell like a wave.

The sound was clearly canid, dog-like. I’ve had friends who live more rurally point out the call of foxes, and of course, YouTube was right there in my hand to do a search on fox calls. I’m pretty certain that early Friday morning, for about 2 hours, gray foxes were calling to each other, to the mountains, to the sky.

Some might think that foxes are bad omens; I’m not one for prophecy. I don’t believe that animals portend disaster or success. They are just animals and some of us are fortunate to share our world with them.

So bark on through the night, gray foxes. I’ll probably be awake to hear you.

 

 

 

 

For the love of elephants: Watercolors that help them roam free

Asian elephant
Stone thrower (African Elephant)
Visit my Etsy shop to learn the story of this elephant

From now until World Elephant Day in August in I’m offering a limited run of prints of two of my watercolors of elephants. These elephants live at the facility of the Performing Animal Welfare Society (PAWS). You can buy the prints at MargaretSloan.etsy.com. A portion of the proceeds for each sale will go to PAWS to help support the elephants.

I’ve always had a thing for elephants, ever since watching the documentary The African Elephant when I was a kid. The more I learn about them, the more I think they are a sentient species (as far as I can understand sentience). They have complicated family relationships, they mourn death and celebrate life, and they display a sharp intelligence. And don’t forget their proverbial memory.

It was the highlight of 2015 that I was able to get close enough to really observe these magnificent animals. Last fall I was privileged to visit Ark 2000, an animal sanctuary of the Performing Animal Welfare Society (PAWS), an organization that rescues animals used in the entertainment industry—think circuses, animal shows, and, yes, zoos—and provides a place for them to retire. They have large roaming areas, ponds, heated barns, good food. And they don’t have to work any more. They just get to be the animals they are.

I’ve blogged about that trip before. Here are some of the highlights.

Some of the elephants at PAWS had been mistreated in their former working lives, or were stolen from their mothers as little babies. Some witnessed elephants killing elephants; possibly some witnessed humans killing their mothers. It’s a wonder that the animals at PAWS have been able to overcome their past traumas to form attachments with the humans that care for them.  There are a trio of Africans who throw stones at cars, but other elephants we met were just as curious about us as we were about them.

We got to meet Nicholas personally. He rumbled low as his keeper showed us how they had convinced Nicholas to open his mouth for dental inspection, or show them the bottom of his ottoman-sized feet. I don’t like to use the word trained. Really what they’ve done is learned how to communicate with the animals, and they’ve done it in a way that doesn’t involve pain or punishment. If these animals consent to a dental examination, or present their ottoman-sized feet for a checkup, it’s because they want to. Not because someone is stabbing them with a bullhook.

(click here to read the whole post).

That brilliant day I couldn’t stop sketching. I could have drawn Nicholas all day long as he snuffled through a pile of bran meal on the floor and purred his elephant growl.

Drawing portraits in person always brings me closer to my subject, and drawing Nicholas was no different. I could feel an intelligence there, a being that knew exactly who he was and who accepted that a small female humana was observing him while he observed her.

Elephant
Nicholas: Asian Elephant
Visit my Etsy shop to learn the story of this elephant

PAWS also does education outreach about “energy conservation, conservation of wildlife habitat, and recognition of animals as individuals with a right to peace and dignity.”

You can own one (or two) of these beautiful prints and help support the elephants at PAWS.

Read more about PAWS at their website, www.pawsweb.org.

A talisman of bright red for Our Beloved Lady

 

Lacybug, Lily, Iris 5" x 7" watercolor on Arches #300 hot press $100
Ladybird beetle, Lily, Iris, Moon
5″ x 7″ watercolor on Arches #300 hot press

These little ladybird beetle paintings came about after the great ladybug cloud I saw at Calaveras Big Trees State Park on Superbowl Sunday. Their orange and red carapaces send a signal to other animals that they are bitter and no good to eat, but the cheery color and their taste for aphids make them a beloved bug among people.

We also love them because they eat the scourge of our gardens: Aphids. Once some farmers were losing their crops to the little green monsters, and they prayed to Our Lady, the Virgin Mary, to intercede. A cloud of bright red bugs flew across their land and ate up all the aphids, and saved the crops. And that’s why these bright little bugs are known as Ladybird beetles.

I have a soft spot for the Virgen de Guadalupe. When I lived in The City, I often stopped at her shrine at St. Joseph’s in Mountain View.  I fancied I could feel her maternal tenderness as well as feminine toughness pool in the little fountain below her image.

It pleases me that ladybugs are among Our Lady’s talismans, and in these little paintings, I’ve placed the little beetles with her flowers, as well as the crescent moon that she usually stands on, although in truth it was a brand new moon when I saw the beetles waking.

Lacybug, Lily, Iris Ladybug in the Circle of the Virgin 5" x 7" watercolor on Arches #300 hot press $50
Ladybird beetle in the Circle of the Virgin
5″ x 7″ watercolor on Arches #300 hot press

 

 

 

 

AnimalScapes art show opens tomorrow!

painting
Greenwood Side (Created for “Animalscapes of the Sierra Nevada Foothills”
30″ x 24″ watercolor on Aquabord
© 2016 Margaret Sloan

I was fortunate to be selected, along with 54 other (excellent) artists and writers, to create a painting for a show called “AnimalScapes of the Sierra Nevada Foothills.” This show was a huge undertaking for the arts councils of our tri-county area, and it was with the generosity of many donors that it happened at all. As one of the artists, I’m very grateful.

Tomorrow (Saturday, January 16) is the first opening for the art show at Ironstone Winery in Murphys, California. The paintings, sculptures, and writings will be at Ironstone until February 15, then will move to Hotel Sutter in Sutter Creek (Feb. 17 – March 13), then will move once again to Black Oak Casino Hotel in Sonora (March 15 – April 3). If you are near, I hope you’ll attend, drink some wine and view (and maybe buy) some art. I think it will be worth it.

A couple of the organizers voiced their hopes that this large group show might help our area heal in some small way from last summer’s nightmare Butte Fire. I hope that it might, if art can help in that way.

Here’s the official press release: ““AnimalScapes of the Sierra Nevada Foothills” is a Tri-County Project of the Calaveras County Arts Council (CCAC), Tuolumne County Arts Alliance (TCAA), Amador County Arts Council (ACAC) and its 2 other major partners: Performing Animal Welfare Society (PAWS) www.pawsweb.org and the California Dept. of Fish & Wildlife. This project is partially funded by the California Arts Council (CAC) through a “Creative California Communities Grant” and the National Endowment for the Arts. The $23,200 CAC Grant is a “matching grant” dollar for dollar. There are also opportunities once more than half of the match has been made for in-kind donations.”

30-in-30: How to paint a snow storm

snow storm
White out study
8″ x 10″ watercolor on Arches 140# block paper

A recent photo of a white-out blizzard in the East posted by my cousin intrigued me. A study in high-key values, it called out to me to be painted. Permission to use her photo was granted and here you can see the first pass of the results. (Although deer do roam her property, this little doe is from my own head.)

I love snow. Granted, until this year I’ve never lived where there’s been too much (meaning any) snow, but I live in the mountains now, and this December we had a couple unusually heavy snowstorms. The snow was magical; the cold air made me tingle, the cool light reflecting the sky made my heart sing. But alas, I was too busy to do any plein air painting while there was snow on the ground, but there’s a snow storm promised for next week, so I’m hoping…

The hardest thing for me was keeping my values light. I normally paint with a pretty heavily loaded brush. I also realize that I want to mess with the composition a bit. And it really didn’t turn out the way I saw it in my head, so I think it deserves a couple more attempts, with more time in the planning.

pencil drawing
Pencil study for White Out

30-in-30:Time behind the brush

 

Deer painting
Deer in landscape study
Watercolor on Ampersand Aquabord

Lately I’ve been working on Ampersand Aquabord. I don’t totally love it the way I love Arches #300 hot press, but I’m fond of the idea that I don’t have to frame it behind glass. That makes it far cheaper, even considering the cost of the board. And I also like that I can rub the paint away more easily to correct mistakes (although it’s surprisingly simple to blot out errors on the Arches).

For today’s painting, I experimented on this 9″ x 12″ Aquabord with some tried and true watercolor cheats techniques: Salt, alcohol, and masking fluid.

 

watercolor with salt on aquaboard
Detail: Watercolor with salt on Aquabord

Paint doesn’t really soak into the Aquabord, so it was difficult to rub off the salt without rubbing off the paint. But it does make an interesting dark texture.

Watercolor with masking fluid
Detail: Watercolor with masking fluid on Aquabord

I don’t normally use masking fluid, but occasionally I find a use for it. The texture of the board makes it hard to apply the mastic in an even stroke, and the rubber cement pickup picked up the paint too.

 

Watercolor with alcohol on Aquaboard
Detail: Watercolor with alcohol on Aquabord

I’ve never been happy with spraying alcohol on paper, but on the board I liked the random, irregular marks it made in the paint. It bears more experimentation.

 

I like these quick little studies. I try not to think about the end result, but rather try many different things. If you’re participating in Leslie Saeta’s daily paint project in January, I hope on some days you’ll just have a fling with your paint. Who knows what you’ll discover?

 

 

 

 

 

Elephants at PAWS

Thika on the hill at PAWS
Thika on the hill at PAWS
Watercolor and gouache on Arches #300 hot press

I was recently selected to be an exhibiting artist in the project  AnimalScapes of the Sierra Nevada Foothills. This show, a tri-county project of the Calaveras County Arts Council, Tuolumne County Arts Alliance and the Amador County Arts Council, will include over 50 artists and makers. We artists will be creating pieces—paintings, pottery, photos, sculptures, even poetry—that depict animals in the Sierra Foothills, and our works will travel around the three counties in an exhibition to be displayed in 2016.

Thika the elephant stood on the hill looking down at us. PAWS president Ed Stewart said, “if I called her, she’d probably come down. But it’s such a beautiful scene, let’s leave her there.” Indeed. Thika was posing like a movie star between two old oak trees, and the cameras of the AnimalScapes artists clicked and whirred. I took lots of photos, and I sketched fiercely.

PAWS, the Performing Animal Welfare Society, is home to 8 elephants. The property in Calaveras County, fittingly called Ark 2000, has enough land that the huge animals can roam on mountainsides, splash in pools, and live out their lives as close to wildness as they could possibly come in the Central Sierra Foothills.

Elephant sketches
Elephant sketches

I have to admit that I’ve always had a thing for elephants, ever since watching the documentary The African Elephant when I was a kid. It seems to me that they are as conscious  as we pretend to be; their complicated familial relationships, their obvious understanding of death and life, and their clear but ponderous intelligence makes me believe they are a sentient species. And we are destroying them.

Some of the elephants at PAWS had been mistreated in their former working lives, or were stolen from their mothers as little babies. Some witnessed elephants killing elephants; possibly some witnessed humans killing their mothers. It’s a wonder that the animals at PAWS have been able to overcome their past traumas to form attachments with the humans that care for them.  There are a trio of Africans who throw stones at cars, but other elephants we met were just as curious about us as we were about them.

Elephan
Nicholas
Watercolor in Stilman & Birn Zeta Series Sketchbook

We got to meet Nicholas personally. He rumbled low as his keeper showed us how they had convinced Nicholas to open his mouth for dental inspection, or show them the bottom of his ottoman-sized feet. I don’t like to use the word trained. Really what they’ve done is learned how to communicate with the animals, and they’ve done it in a way that doesn’t involve pain or punishment. If these animals consent to a dental examination, or present their ottoman-sized feet for a checkup, it’s because they want to. Not because someone is stabbing them with a bullhook.

I couldn’t stop sketching. I could have drawn Nicholas all day long as he snuffled through a pile of bran meal on the floor and purred his elephant growl.

Drawing portraits in person always brings me closer to my subject, and drawing Nicholas was no different. I could feel an intelligence there, a being that knew who he was and who accepted that a small female animal was observing him while he observed her.

Graphite sketch of Thika the elephant at PAWS
Graphite sketch of Thika the elephant at PAWS

 

 

AnimalScapes blog posts

Drawing animals for AnimalScapes

Sketching bears and tigers at the PAWS Ark 2000 animal sanctuary

Elephants at PAWS

 

 

Sketching bears and tigers at the PAWS Ark 2000 animal sanctuary

Animals at PAWS Watercolor in Stilman & Birn Zeta Series
Animals at PAWS
Watercolor in Stilman & Birn Zeta Series

I was recently selected to be an exhibiting artist in the project  AnimalScapes of the Sierra Nevada Foothills. This show, a tri-county project of the Calaveras County Arts Council, Tuolumne County Arts Alliance and the Amador County Arts Council, will include over 50 artists and makers. We artists will be creating pieces—paintings, pottery, photos, sculptures, even poetry—that depict animals in the Sierra Foothills, and our works will travel around the three counties in an exhibition to be displayed in 2016.

A part of AnimalScapes, we chosen artists were gifted with a trip to PAWS, an organization whose mission is “….the protection of performing animals, to providing sanctuary to abused, abandoned and retired captive wildlife, to enforcing the best standards of care for all captive wildlife, to the preservation of wild species and their habitat and to promoting public education about captive wildlife issues.

Touring the PAWS sanctuary in Calaveras County is a coveted trip. They don’t open to the public often, and when they do, it’s usually for  expensive fundraisers that many artists could never afford. I was indeed lucky.

Bears
Bear sketches at PAWS
Watercolor in Stilman & Birn Zeta Series Sketchbook

There’s a reason the sanctuary is off-limits to most people. The president of the organization, Ed Stewart, showed us around the sanctuary, and introduced us to many of the animals, and told us the stories of their lives before they were rescued. “Most of these animals have been places where they can’t get away from people,” Stewart said. Frankly, these animals have suffered so much at the hands of humans that they should never have to see us again.

President of PAWS, Ed Stewart
President of PAWS, Ed Stewart

Stewart told stories that make your blood run cold: a bear cub sold at a flea market as a birthday gift for a 4-year-old, then chained, starving, in the back yard for years. Grizzlies and black bears bred to create hybrids, then kept in small cages at roadside attractions. On and on and on. And not in some crazy ignorant poverty-stricken country either; but right here in the United States. I don’t understand. Why on earth do people do things like this?

Tigers and elephants at PAWS Watercolor in Stilman & Birn Zeta Series
Tigers and elephants at PAWS
Watercolor in Stilman & Birn Zeta Series

But as horribly as these animals have been treated by humans, they appear to have learned to accept the folks at PAWS, or at least have unlearned some of their fear and hatred. When we crept up to the bear enclosures, the bears, expecting food,  came down to see what was up. We were admonished to be very quiet; no worries there. I was so stunned and in awe of being so near a bear that I could hardly talk at all.

There were two tigers that we could see in an enclosure (The sanctuary rescued 39 big cats in 2003. Meet them here.) One slept with its back to us the whole time we were there. Another padded out, looked at us in what seemed to be disgust, and disappeared from view. Stewart said that this was much better than when the tigers first came to the sanctuary. Rescued from an abusive tiger breeder, they hated humans when they first arrived. The two tigers we saw didn’t seem to be happy about us gawping at them, but at least they weren’t scaling the fence to get at us.

I know that the sanctuary isn’t the same as a jungle or veld or forest where animals can roam at will. But there are fewer and fewer of those places left on our small planet as the human population grows exponentially. And the Sanctuary is a place where at least a small number of being hurt by humans can live out their lives in peace and safety.

Next: Elephants at PAWS

Here’s a vid of the tigers at PAWS

The link below is live. Click on it to go to the PAWS website.

Performing Animal Welfare Society
Performing Animal Welfare Society

AnimalScapes blog posts

Drawing animals for AnimalScapes

Sketching bears and tigers at the PAWS Ark 2000 animal sanctuary

Elephants at PAWS