As I’ve said, I need to do some color studies to understand the power in my box of Rembrandt soft pastels. So the first thing I’ve done is just sorted them out in a way that makes sense to me. One the left are the orange (warm) colors. Next over I’ve drawn pink (cool) colors. Some of these pinky hues are not chalk straight from the box; they are mixed and cooled down for the sake of the chart, because some of the chalk colors are inherently warmer and more orange in hue. However, I needed those particular values to make the complete value range. The remaining colors-green, blue, and violet—don’t really fit in a graded value chart on their own, but provide the good, rich base notes, or the high, singing discordancies that Chris Saper recommends in her book.